Art in architecture
Art in architecture is an artwork, such as a mosaic, relief or ceramic wall, planned as part of a building and often fixed to it.
What is art in architecture?
Art in architecture is an artwork that is planned as part of a building. It can be a mosaic, a relief, a ceramic wall or a painted surface. The architect and the artist agree its place and its material while the building is still in design.
Slovak buildings of the socialist period show the range. The table lists four examples from the register of modern architecture and from archiweb.
| Building | Artwork | Author |
|---|---|---|
| Prior department store, Bratislava | Wall clock with a chime | Jaroslav Kočiš |
| Prior department store, Bratislava | Ceramic wall in the buffet area | Eva Trachtová |
| Istropolis, Bratislava | Lamellar ceiling of the congress hall | Jozef Jankovič |
| Slovak Radio, Bratislava | Interiors | Marta Skočková |
The Czech mosaic article describes three forms of mosaic used in this period. These are mosaic from split glass enamel tesserae, stone structural mosaic and mosaic from prefabricated pressed tesserae.
What was the "four percent law" in Czechoslovakia?
The "four percent law" is the nickname of a Czechoslovak government resolution on fine art in investment construction. Pavel Karous gives it as Resolution No. 355 of July 1965. His article names 28 July in one passage and 23 July in another. The nickname is misleading. The resolution set a share of 1 percent of the budget of a state building, and only in exceptional cases up to 4 percent.
| Question | What Karous (2015) says |
|---|---|
| Which budget? | The budget of a state building. At that time this covered nearly all building projects. |
| What was the 4 percent? | A ceiling. It was meant to stop overpriced and costly decoration of the kind known from the Stalinist period. |
| How was the share set? | By a formula: a base rate that falls as the cost of the building rises, times a coefficient for the importance of the place, times a coefficient for the social and architectural importance of the building. |
| What did a housing estate get? | The estates in the study had coefficients of 0.5 to 1.0. About half to one percent of the estate budget went to art. |
| When was the work approved? | During the design of the building, so that the finished building was not decorated afterwards. |
The article studies Czech housing estates. It describes a rule of the Czechoslovak government. This page does not state how the rule worked in Slovakia, because we found no Slovak source on it.
How did censorship and propaganda affect building art?
Karous writes that censorship affected exterior monumental art to a surprisingly small extent. He adds that artists who were otherwise persecuted could show their work in housing estates. Facade works of the period are therefore not only political art.
The Czech mosaic article gives a mixed picture. After 1948 mosaic became the most popular instrument of political propaganda. It later dropped its ideological content and became one of the most progressive art forms in architecture. Today mosaic still carries the stigma of an ideological art form. The authors say this led to neglect of post-war work. They also name a lack of qualified restorers and poor availability of materials as problems.
Is building art protected by Slovak heritage law?
Not by age alone. The heritage fund is the set of movable and immovable things declared as national cultural monuments, heritage reserves and heritage zones (§ 2 ods. 1 of Act 49/2002). Artistic (výtvarné) value is one of the heritage values listed in the act (§ 2 ods. 2). The Monuments Board can declare a group of things together (§ 15 ods. 1).
So an attached mosaic, relief or ceramic wall is protected only if the declaration covers it. Renovation and restoration rules apply to a monument or its part (§ 32 ods. 1 and § 33 ods. 1). The Prior and Hotel Kyjev complex is a national cultural monument since 26 June 2025, according to the open data of the Monuments Board. Those data name the complex. We did not read the declaration decision, so we do not state whether it names the artworks. The web text on Slov-Lex is informative only. Compare the wording with the PDF. See listed building.
What should an owner check before changing building art?
- Find out whether the building or any part of it is declared under the heritage act. Do not assume protection from its age.
- Identify the technique and, if records survive, the artist and the date. Archives can hold the commissioning papers.
- Survey the artwork before any cleaning, repainting or insulation work. External insulation can cover a facade artwork.
- Ask the regional heritage office before you remove, move or cover an artwork on a monument.
- Look for a restorer with experience of the technique. Mosaic restorers are scarce, according to the Czech article.
Each step costs little at the survey stage. It can prevent damage to an artwork that nobody noticed. See sgrafito and socialist-era mosaic for two common techniques.
Frequently asked questions
- Is a mosaic on an old building automatically protected?
- No. Protection comes from a declaration under Act 49/2002. An attached mosaic is protected only if the declaration covers it. Check the declaration before you plan any work.
- Can I remove a relief from a building I own?
- Ask the regional heritage office first if the building or any part of it is a monument. The act regulates renovation and restoration of a monument or its part (§ 32 ods. 1 and § 33 ods. 1).
- What is the "four percent law"?
- It is the nickname of a Czechoslovak government resolution of July 1965 on fine art in building projects. Karous gives it as No. 355. It set 1 percent of the budget of a state building, and only in exceptional cases up to 4 percent.
- Did all buildings spend four percent on art?
- No. Four percent was a ceiling. A formula set the share by the cost of the building and its importance. In the housing estates that Karous studied, about half to one percent went to art.
- Was building art in socialist Czechoslovakia only propaganda?
- Not only. Karous writes that censorship affected exterior monumental art to a surprisingly small extent. The Czech mosaic article says mosaic served propaganda, and later became one of the most progressive art forms in architecture.
Sources
- Artistic decoration of housing estates in Czechoslovakia during the 1960-80's · Zprávy památkové péče 75(4), National Heritage Institute (Czech Republic) · Four percent law and rate table
- From the history of Czech mosaicism · Zprávy památkové péče 77(3), National Heritage Institute (Czech Republic) · Abstract
- Zákon č. 49/2002 Z. z. o ochrane pamiatkového fondu · Slov-Lex · § 2, § 15, § 32, § 33
- Obchodný dom Prior a hotel Kyjev · Register modernej architektúry Slovenska, Ústav dejín umenia SAV
- Dom odborov Istropolis · Register modernej architektúry Slovenska, Ústav dejín umenia SAV
- Slovak Radio (Bratislava) · archiweb
- Heritage objects (open data, XML) · Pamiatkový úrad Slovenskej republiky · Object 13050/1